4/19/2023 0 Comments Matisse la musique![]() If you have any questions or information to provide about the listed works, please email or write to: Provenance research is a work in progress, and is frequently updated with new information. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, June 15-September 4, 1978), no. See “The Noble Buyer:” John Quinn, Patron of the Avant Garde, exh. Reid, The Man from New York: John Quinn and His Friends, New York: Oxford University Press, 1968, p. de Zayas Gallery, New York, November 17-Decem(no. Included in Exhibition of Paintings by Courbet, Manet, Degas, Renoir, Cézanne, Seurat, Matisse, M. 757bis: La Musique ) copy/draft of letter Henri Matisse to Félix Fénéon, July 8, 1907. Salon d'Automne, Paris, October 1-Octo(no. 143, confirm Leo and Gertrude Stein's ownership: Exh. ![]() It was previously assumed that the painting was owned by Michael and Sarah Stein. San Francisco: San Francisco Museum of Modern Art, 2011, no. Rabinow, eds., The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde., exh. ![]() in Janet Bishop, Cécile Debray, and Rebecca A. See letter Henri Matisse to Félix Fénéon, qtd. Conger Goodyear (1877-1964), Buffalo, N.Y., January 1926 acquired by The Museum of Modern Art, New York, 1962 (Gift of A. Acquired from the artist by Galerie Bernheim-Jeune, J purchased out of the Salon d'Automne by Leo Stein, Paris, fall 1907 and owned jointly until possibly February 1914 to Galerie Bernheim-Jeune, Lausanne, November 1914 to Marius de Zayas (1880-1961), New York, by 1919 sold to John Quinn (1870-1924), New York, Ap Estate of John Quinn, 1924 sold to A. This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
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